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Street Gospels


Street Gospels


Editorial Reviews

Product Description

Named after Israeli fusion artist/producer Badawi's 1996 release which pays homage to nomadic Arabic poet tribe the Bedouins power trio Bedouin Soundclash formed in 2001 at Queen's University in Kingston, Ontario. Unlike most musicians who try to mimic their musical idols, Bedouin Soundclash likes to forge its own musical path creating music that embodies each member's personal and diverse musical preferences. With a seductive combination of lead singer Jay Malinowski's soulful, melodic wail and hypnotic rhythmic guitar grooves, Eon Sinclair's deep dubbing bass, and Pat Pengelly's driving heavyweight rhythms, Bedouin Soundclash creates its own innovative fusion of Reggae, Rock, Punk and Soul taking chances and pushing hard at the boundaries that separate musical genres resulting in a fusion of music the band can truly call its own.

Bedouin Soundclash's third CD, Street Gospels"span", contains all the highlights of their impressively successful second CD, Sounding a Mosaic"span", and then some. One quick look at the liner notes shows the positive effects that can come from commercial success: joining the Bedouin boys on this release is Money Mark--of Beastie Boys fame--on keyboards, Bad Brains' bassist (and Street Gospels' producer) Darryl Jenifer, and vocalist Vernon Buckley of '70s reggae band The Maytones. You can feel the genuine love and appreciation for dub and reggae throughout Street Gospels, not just via the guest players but also through frontman Jay Malinowski, with his gentle, raspy tones and easy-breezy phrasing. Mere moments into the CD, the very best elements of Bedouin come to light: "Until We Burn in the Sun" is a disc standout, a joyful, tropical melody that overflows with an English-Beat-meets-Police vibe. Catchy songs and lyrical positivity runs throughout the disc, from first single "Walls Fall Down," to the Clash-like "Gunships," to disc-closing crooner "Hearts In the Night." "Hush"--an a cappella gospel-style number--is another high point, a showpiece for Malinowski's gorgeous harmonies and simple, memorable melodies. That, along with the soft-as-a-cloud "12:59 Lullaby" (first heard on a Grey's Anatomy episode), proves that the group has more than simple staying power, they appear to be evolving and growing into something well deserving of international attention. --Denise Sheppard

Street Gospels




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